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 TM
 TM
New version 2, featuring:
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More low-gain settings on the Sustain knob, making it easier to dial in a
growly tone
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Mids switch has been changed to a "Guitar/Bass" switch. Guitar mode
(left) is a classic scooped sound like the original circa 1974 fuzz, and
Bass mode (right) preserves ALL of the brutal bass throughout the tone
knob's sweep. In V1, this switch merely toggled between scooped and
flat; V2 is very different!
Skreddy Pedals™ Supa Tone: based on a 1974 edition of a
fuzz released by Colorsound™, this circuit is not based on a germanium
Tone Bender design but is a variant of the Big Muff™ circuit.
SupaManual.pdf
*Note: we have no affiliation with Colorsound or
Electro-Harmonix or Marshall,
who of course own their trademarked names.
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when used for bass:
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Grindy, tubey distortion
that stays in the pocket
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You get a fuzzed attack
but it's still punchy and retains the normal decay envelope
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(V2:) All the low end is
preserved in Bass mode, so the tone knob becomes a treble knob and does
not thin out the tone even at full clockwise.
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when used for guitar:
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Rough, unrefined,
grinding, low-gain fuzz
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More raw & dynamic, less
compressed and sustainy than a Big Muff*
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Low sustain-knob setting
makes a nice cranked JCM900* emulation
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US orders will be sent via USPS Priority Mail (signature
may be required)
International orders will be sent Global Priority (where available).
We will not declare your package at a lower value for customs;
be prepared to pay your country's import duty when you receive
the package.
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