When used for bass: the tone knob acts kind of like a blend control for the fuzz.  You will want it somewhere in the counter-clockwise zone, where your low end lives

When used for guitar: you should find the right balance between bass and treble with the tone knob, and you can switch from scooped to flat mids

Skreddy Pedals™ Supa Tone: based on a 1974 edition of a fuzz released by Colorsound™, this circuit is not based on a germanium Tone Bender design but is a variant of the Big Muff™ circuit.

The first pair clipping diodes is removed, so there is more clean boost in front of the remaining pair of clipping diodes.

Like the originals, I've used all polyester film coupling capacitors to retain every bit of high end rasp.  I've used low-gain transistors (also like the originals) to retain dynamics and avoid going into syrupy-sustain territory.

SupaManual.pdf

*Note: we have no affiliation with Colorsound or Electro-Harmonix or Marshall, who of course own their own trademarked names.