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Guitar, with classic 1974 scooped tone stack and flat mids available with the tiny toggle switch
Bass, where the Mids switch has been changed to a "Guitar/Bass" switch. Guitar mode (left) is a classic scooped sound like the original circa 1974 fuzz, and Bass mode (right) preserves ALL of the brutal bass throughout the tone knob's sweep.
Skreddy Pedals™ Supa Tone: based on a 1974 edition of a fuzz released by Colorsound™, this circuit is not based on a germanium Tone Bender design but is a variant of the Big Muff™ circuit.
*Note: we have no affiliation with Colorsound or Electro-Harmonix or Marshall, who of course own their trademarked names.
When mids switch is set to "bass," grindy, tubey distortion that stays in the pocket
You get a fuzzed attack but it's still punchy and retains the normal decay envelope
All the low end is preserved in Bass mode, so the tone knob becomes a treble knob and does not thin out the tone even at full clockwise.
Mids switch set to "guitar" is the classic 1974 scooped tone stack
Rough, unrefined, grinding, low-gain fuzz
More raw & dynamic, less compressed and sustainy than a Big Muff*
Low sustain-knob setting makes a nice cranked JCM900* emulation
Mids switch selects between scooped and flat mids